ARTURIA ANALOG FACTORY EXPERIENCE DRIVER

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The Moog emulations are great too - the Minimoog V has that low-end growl which is fundamental to the Minimoog sound, and the Modular V is fresh and full of detail.
Our Verdict Analog Factory Experience is ideal for the synth-slut performer, and comes at a very reasonable price, too. The answer is simple: Image 1 of 3 Analog Factory Experience combines software and hardware to great effect.
The keyboard looks and feels great.
Arturia Analog Factory Experience review | MusicRadar
The only snag with the Analog Factory Experience is that you only have access to a handful of the parameters that these synths offer. This goes some way towards giving the user the experience of using a real analogue keyboard, but more on this later. Although parameters such as cutoff and resonance and the ADSR envelope have dedicated knobs and sliders on the hardware, the four key parameters change functions depending on the selected patch.
What this means in practice is that if you move, say, the aeturia knob on the controller, you can clearly hear the filter stepping through the values.

Image 3 of 3 Controllers are automatically assigned to those you see on-screen. If you compare the Analog Factory 2. Image 2 of 3 You can choose from preset sounds.
Not as editable as a full-on synth.
Cons Some mouse work still required. Our favourite is the Prophet V, which has almost all the depth of character of the original Prophet 5. So, who will buy the Analog Factory Experience?
There dactory a few niggles, though. Pros The convenience of software with hardware control. Analog Factory Experience is ideal for the synth-slut performer, and comes at a very reasonable price, too.
Arturia - ARTURIA announces the release of Analog Experience THE FACTORY
The CD contains Analog Factory 2. For the first time, Arturia is selling a USB keyboard front-end that enables you to not only play the soft synth, but also tweak the parameters of each preset.

The Analog Factory Experience is a superb synthesizer in its own right: The solution would be to label the knobs on the software interface - they could pop up as you selected each preset- so you could at least refer to your computer monitor before you started twiddling. This means that to use the hardware controller effectively you have to use the mouse too, which kind of defeats the object of the controller. You exprrience adjust the cutoff and resonance level in every patch, plus adjust the LFO rate and amount.
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